Communitas
A Musical Case for the Genius of Community
Think of your favorite music scene. Was it the punk wonderland of Washington, D.C. in the 1980s? Or maybe Seattle’s grunge of the 90s? It could be the jazz, blues, and swing that came out of Harlem in the 1930s. As soon as you have a scene in mind, you’ve probably already thought of two or three of your favorite musicians who emerged from it.
We tend to think of scenes as defined by the extraordinary artists they produced. I think it’s the other way around. “There are often places in the world,” composer and producer Brian Eno once said, “where it’s suddenly quite easy to do something quite brilliant.” I believe this is true — even self-evident — and answering the resulting question “Why?” will lead to a rethinking of the nature of individual talent and communal creativity. Are we just fortunate that highly creative people tend to bunch up in certain locales at certain points in history, or is there something else going on? I think that there is: these famous scenes, and so many more, constitute a kind of social and creative ecosystem.
Indeed, this kind of community is like a garden. There are the beautiful flowers, of course, which command most people’s attention — but in order for those flowers to grow there must also be fertile soil, pollinators, earthworms, and the right amounts of rain, shade, and sun. By the same token, a…
